This is the reply from the guy who did it :
To answer your question properly, I have to give you some fun work to do.
Remembering that speakers are wave propagators, and that sound is a series of waves traveling through the air in the car, here is a nice applet with different settings possible. Move the source to the middle, then click on the 3d box
http://www.falstad.c...pple/index.html
then choose 2 sources, 2 frequencies in the 2d screen, move them towards the centre of the tank, then click on 3d
notice:
1. areas of exaggerated peaks
2. and areas of exaggerated dips
3. and areas of nulls(complete wave cancellation)
so the theory behind the design is that of coherent wave fronts
on the downside, if not done correctly, you can also end up with modulation. To give a really rough idea of modulation: it’s similar to what happens when you speak into a fan up close.
In home hi-fi situations the effect of wavefront and source coherence is slightly less important because you sit much further away from the source, but in the car, especially with mids and tweeters on the dash, we can – nearly always - hear the 2 separate mid and tweeter sources which plays havoc with all of the stereo holographics we are trying so hard to achieve.
Generating a coherent wavefront goes a long way towards a more coherent sound(many drivers acting together to sound like one) which is why I ended up doing what I did.
I hope this answers your question