Is this the future of Sound Quality Processing?
#1
Posted 02 October 2007 - 10:49 PM
http://www.audiogroupforum.com/csforum/sho...ead.php?t=63407
It does true 3.1 for cars, plus add on rears and it will do ambience as well. Logic7 DSP......
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Ladies and Gentlemen, I think we may have found the next stage of technology.

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#2
Posted 03 October 2007 - 01:42 AM
Quote
and an eight-channel amplifier/preamplifier that can be connected to any car’s existing head unit
via speaker- or line-level inputs. The DSP provides signal summing and conditioning that can
reconstruct a flat full-bandwidth stereo signal if the radio does not provide one. At the heart of
the MS-8 is a new, proprietary equalization algorithm that makes achieving contest-winning
sound quality a snap.
nice....
still the stereo sound illusion though...
wonder when these might become available?
(cause I want one...)

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Quote
~Spyne~, on 18 December 2009 - 09:05 AM, said:
#3
Posted 03 October 2007 - 02:11 AM
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#4
Posted 03 October 2007 - 02:31 AM
This will be a MAJOR step up for most people. It seeks to address the largest issue in a vehicle, the space.
It also uses a decent algorithm to remove information from the centre channel, so the image does not bleed to somewhere between the centre and outers. Finally a monophonic centre which will show case vocals. :clapping:
The other gain will come from possibly obtaining stereo in a vehicle. (Most people have panned monophonic) This is because it has rear channels to increase acoustic crosstalk, which will allow for the front outers to be at a different azimuth. You may finally have the image beyond you pillars and over the bonnet.
The ambient rears will give far more realism than stereo could hope to achieve. You may actually now prefer to listen to music in your car instead of the home.
You could have it now if you use a car computer.
Because I can.
Told you so. nah nah nah.
#5
Posted 03 October 2007 - 01:37 PM

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~Spyne~, on 18 December 2009 - 09:05 AM, said:
#6
Posted 06 October 2007 - 12:46 PM
pity about the "no digital inputs" though.
http://www.aes.org
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~Spyne~, on 15 July 2009 - 07:33 PM, said:
TEAM Floor-Pods
#7
Posted 06 October 2007 - 01:11 PM
antisven, NowHearThis, bob^, Tiger, Tony Yayo, Marc, Damo95, dirtykia, eek, BlackIce, TEGBOY, IM.10.WR, MRSTEK, Midol, Fhrx, martydaman
#8
Posted 06 October 2007 - 01:45 PM
alpine said:
Andy Wehmeyer, on Product Marketing Manager, Harman Consumer Group, Mobile Systems Division, said:
any more than that and I have no idea.
~thematt~ ???
Edited by VIP318, 06 October 2007 - 01:46 PM.

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~Spyne~, on 18 December 2009 - 09:05 AM, said:
#9
Posted 06 October 2007 - 02:35 PM
i'll be keeping an eye out when building my next car, will be a big project lol
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#10
Posted 06 October 2007 - 03:31 PM
My history
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Gorilla Nuts= deceased (all parts were removed)
no car sound at all.
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#11
Posted 06 October 2007 - 04:09 PM
Sounds like an awesome unit.

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#12
Posted 06 October 2007 - 07:48 PM
zion187reigneth, on Oct 6 2007, 01:31 PM, said:
Things it can do that other processors do: Xovers, Time Alignment, EQ.
Things it can do that other processors CANNOT do (available for car market): It has a unique centre channel, and unique front left and rights. It also has unique rear channels.
The centre channel is unique in that during the processing of the signal, it takes SHARED information from the left and right inputs (seeing as there are only two) and plays them as a center. It then plays the individual left and right channel MINUS this shared information at a level 6dB lower then the center. This is extremely clever, and has never been done on the Car Audio market before. It also operates not as an on/off between channels, but like a balance control, will bleed the signal (depending on weight of content between channels) throughout the range between the center and the extremities.
This will produce a REAL stereo image using stereo inputs that currently cannot be done by standard processors. Center signals for stereo sound (not discrete 5.1) simply use a sum of the Left and Right at the same attenuated levels. This will, when you think about it, skew a smaller stage and bias the resultant image .
The rear channels also work in a unique manner. They take ONLY the OUT OF PHASE information portrayed in the front left and right channels, and play that back only. Standard inphase signals arrive ONLY from the front, out of phase signals arrive out of the rear. This will give the perception of a REAL stage, with ambiance and boundaries outside the vehicle.
And above all, it works in real-time, and the setup is done by the unit itself, not the installer.
Now do you think its cool?!?!
Edited by ~thematt~, 06 October 2007 - 07:50 PM.

Its all about the music. Always has been, always will be. Im here for the music.
#13
Posted 06 October 2007 - 07:58 PM
It uses vector maths to extract the centre channel from the stereo mix, and then pass-through the non-centre channel info to the other two channels.
out-of-phase info (ambience) is decoded, and either maintains stereo (ProLogic II) or combines to mono (ProLogic I) to make the rear channel info.
the problem is that no car processor has true Pro Logic decoding (which is a pity)
http://www.aes.org
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MEASQ 2009 Victorian Runner Up - Expert Class, National Champion - Expert Class
dB Drag 2008 Street A: 147.2dB @ 46Hz
VK3TUG - Life's too short to QRP
~Spyne~, on 15 July 2009 - 07:33 PM, said:
TEAM Floor-Pods
#14
Posted 06 October 2007 - 10:04 PM
Albeit not a great deal of power, but a great start in the right direction.
Mum's McIntosh based Liberty would benifit from this system. I miss her old X5, that had decent system. The Liberty, is no where as good.
#15
Posted 06 October 2007 - 10:43 PM
Edited by Luke352, 06 October 2007 - 10:49 PM.
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