the benefit of a decent monobloc for the sub is that they are designed for grunty power outputs. they feature big internal power supplies and more internal caps compared with multichannel amps.
as such, they don't sag their power outputs when they need to produce phat bass notes. so quoted power specs from good monoblocs are going to be realistic. power specs from bridged multichannel amps may not be so realistic when they are driving subs (power may be much less); specs would be more realistic if driving some splits which is easy work.
so having gutsy power to your sub should offer better SQ.
steeper xovers can be beneficial although not critical. whatever xovers are on hand, they just need to be nicely matched to the front stage for a nice blend and transition.
subsonic filters are more important for ported enclosures. less important for sealed setups. either way, not essential, but would be ideal where recordings feature really, really low (inaudible) subbass (ie: less than ~30Hz).
a cap is usually unnecessary (in addition to what's in the amps themselves). and certainly poor value. it would be something to consider if you've exhausted all other options and still have annoying voltage sags that manifest in dimming headlights/dashlights/HU display. otherwise, as mentioned, go with the much better value battery upgrade. also ensure the battery and engine block groundwires are nice and thick and fresh; these are essential parts of the whole electrical 'circuit' in the car. some battery/engine groundwires are attached to the chassis with paint still intact (old cars)! ensure it's bear of paint for a quality contact.
as gooki mentions, the subbox design and build quality are far more important though.
the PG amps would be nice. the audison LRx1.400 mentioned is also top value. a JL 500/1 should also be within budget and is a top amp.