Fair enough Simon, I guess Ill have to justify my position now

Damping factors are given as arbitrary numbers. However, since damping is nothing more then load impedance on output impedance, and traditional drivers are not purely resistive, the load impedance changes relative to frequency being played. So now the damping factor is dependent on the frequency being played. Now the number given in the spec sheet is meaningless, because we have no frequencies to correlate it to.
Also, damping factor is calculated at the amplifiers output. This is by using the amps output impedance. So what is this output impedance? Such a spec always seem to be missing from the spec sheets so you can more effectively understand DF. The DF will drastically change though, as soon as you add a reactive driver and cable to the output of the amp. This we know.
Therefore Damping Factor on its own is useless. This is because we dont have the output impedance of the amplifier, the frequency it was determined at, and the actual figure of the 'dummy' load that was used to calculate it. That way, you can introduce your own load, and find out what the DF is for your system.
Therefore, a figure of 50, or 500 or 5000 means nothing.
Bridging an amp will change its output impedance, which will affect the DF, but will this have an impact on the system? Yes? No? If so, what impact? The transient response of a system is affected by the Q, which if we build the appropriate enclosure, is preselected by us. Therefore the 'sound' wont be sloppy, or fast, or whatever other fancy words people like to use to describe it unless the Q changes!!
As for the crosstalk, I meant in the reproduction chain. Left and right are defined in the original recording of course, but when we reproduce it, its only perfect in the digital domain (or as perfect as it was recorded anyhoo). As soon as we convert over, crosstalk will occur. The limiting factor here is how much crosstalk was recorded in the original, and where that limiting factor resides. Purchasing amps to give greater stereo separation, because an individual unit with 'only' around 70db (approx. numbers for a standard amp), is a waste of money with most recordings these days because the crosstalk in the actual recording is the limiting factor. Thats what I meant by in the digital domain (in the reproduction chain, the limit is before the DAC, not usually after it).