This is why I think the solution is a little more than just adjusting the crossovers...
Regardless of the slope the Max's should be comfortable playing up to 100hz and do so effortlessly. I have just been been fiddling around and it seems that anything higher than 63hz 18db and it turns to crap. I don't mean "not so flash" but literally unbarable.
With this slope I played a variety of genres. Soft rock such as Crowded House and Evermore sounded awesome yet I put on some Crystal Method and it sounded awful... Really frustrating. And if I shifted that slope to 80hz, everything turns to crap.
Just out of interest Shiny and Muzzy do you use any type of dampening material in your box?
Speaking of acoustics playing a role i'll explain the set up maybe you'll have a diagnosis.
Car - VR Commodore (don't hold this against me as im really not a commodore person)
The subs are mounted above the rear axle (forget what its called) facing into the boot. The boot is completely blocked off from the cabin however I have cut a large section out of the parcel shelf for the bass to vent into the cabin. The entire boot is deadened bar the boot lid (to be deadened asap)
The sound it like I mentioned - a wooden spoon on an empty bucket, quite different to resonance